Freeze Frame taken from video shot by Linden Hudson (amateur professional photographer). This design is Julia. She beat the chances and is a fantastic cancer survivor, and extremely lovely.
Who is Linden Hudson?
CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED GUYS: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote).
( ZZ Top never ever opted to offer Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career also. The band and management worked ruthlessly to take COMPLETE credit for the extremely effective album which Linden had invested a bargain of time working on. Linden works day-to-day to tell this story. Also, the band did not decide to pay Linden, they worked to keep all the money and they dealt with Linden like dirt. It was abuse. Linden introduced a minimal lawsuit, brought about using his minimal resources which brought minimal outcomes and took years. Nobody ought to treat the co-writer of their most successful album like this. It’s simply deeply fucked up.).
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Hear the original ZZ Top REMOVER writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: youtu.be/ 2QZ8WUTaS18.
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Read Linden’s story of the making of the super-famous ZZ Leading ELIMINATOR album at: www.flickr.com/people/152350852@N02/.
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Follow this Wikipedia link and discover Linden’s name throughout the post & read the album songwriter credits about midway down at: en.wikipedia.org/wiki/Eliminator_%28album%29.
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Linden’s name is all over this Wikipedia page as well: en.wikipedia.org/wiki/El_Loco.
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LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY CONFESSED: “the Eliminator sessions in 1983 were directed mainly by another one of our associates, Linden Hudson, a gifted engineer, during the development of those structures.” (end quote) (Gibbons confesses this after thirty years, however provides Linden no apology or reparations for lack of credit/royalties).
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MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitar player Billy Gibbons broke 30 years of silence about Linden Hudson presenting synthesizers into ZZ Top’s sound.) Gibbons said: “This was an actually interesting turning point. We had befriended someone who would end up being a prominent partner, a guy named Linden Hudson. He was a talented songwriter and had production skills that were leading the pack sometimes. He brought some components to the forefront that helped improve what ZZ Top were doing, beginning in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in manner ins which would scare most bands. However we did the same, and the synthesizers began to appear on record.” (as soon as again, there was no apology from ZZ Top or Billy Gibbons after this discovery).
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TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): “Linden Hudson floated the concept that the ideal dance music had 124 beats per minute; then he and Gibbons developed, wrote, and taped what amounted to a rough draft of an album before the band had actually set foot inside Ardent Studios.”.
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FROM THE BOOK: SHARP DRESSED GUYS – ZZ TOP (By David Blayney): “Probably the most dramatic development in ZZ Top recording techniques happened as Eliminator was built. What had actually gone on prior to evolutionary; this modification was innovative. ZZ Top got what amounted to a brand-new bandsman (Linden) for the album, unidentified to the world at big and initially even to Dusty and Frank.”.
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CNET DOT COM: (concern positioned to ZZ Top): Sound engineer Linden Hudson was referred to as a high-tech music teacher on your extremely effective “Eliminator” album. How much did the band explore electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: “Eliminator” had an incredible effect on us and individuals who listen to us,” states ZZ Top’s bass gamer. Typical band tradition points to production engineer Linden Hudson recommending that 120 beats per minute was the best rock pace, or “individuals’s pace” as it happened understood.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): “… the tune LEGS Linden Hudson introduced the pumping synthesizer result.”.
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( Search Linden Hudson in the various ZZ Top Wikipedia pages which belong to the REMOVER album and you will find bits about Linden. Also the primary ZZ Top Wikipedia page points out Linden. He’s mentioned in at least 7 ZZ Top associated Wikipedia pages.).
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FROM THE BOOK: SHARP DRESSED GUYS – ZZ TOP By David Blayney: “Linden discovered himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest partner on Eliminator. In truth, he wound up spending more time on the album than any person other than Billy. While the two of them invested day after day in the studio, they were mostly alone with the devices and the ideas.”.
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FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, launched 2014): “Hudson supposedly had a considerable role to play throughout the planning stages of the release (ELIMINATOR).”.
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FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (WANDERER PRESS, WRITTEN BY DEBORAH FROST): “Linden was always doing computer system research studies. It was something that fascinated him, like studio innovation. He thought he might comprehend the elements of pop music much better if he fed particular information into his computer system. It might help him comprehend what hits (song releases) of any given period share. He initially learnt about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy instantly started to compose some tunes with 120 beats per minute. Linden assisted with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone needed to assist Billy out. Dusty and Frank didn’t even like to practice much. Their studio lack wasn’t actually a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum device.” (end quote).
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FROM THE BOOK: “SHARP DRESSED GUYS – ZZ TOP” BY DAVID BLAYNEY: “After his quantitative revelations, Linden informally but quickly became ZZ Top’s practice session hall theoretician, manufacturer, and engineer.” (end quote).
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FROM THE BOOK: “ZZ TOP – BAD AND WORLDWIDE” (ROLLING STONE PRESS, BY DEBORAH FROST): “With the release of their ninth album, ELIMINATOR, in 1983, these hairy, not likely rock heroes had ended up being a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of lots of connected with the band for many years, were never ever acknowledged.”.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY): “The integral position Linden inhabited in the process of structure El iminator was shown eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the entire tune all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and assisted write the lyrics; Billy did the guitars and vocals.”.
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FROM THE BOOK: “TRES HOMBRES – THE STORY OF ZZ TOP” BY DAVID SINCLAIR (Writer for the Times Of London): “Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the brand-new recording innovation and specifically to the charms of the straight drumming pattern, as used on a configured drum device. On REMOVER ZZ Top revealed a basic new musical combination that broke open a huge worldwide market.
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FROM THE BOOK: “SHARP GOWN MEN – ZZ TOP” BY DAVID BLAYNEY: “REMOVER went on to end up being a multi-platinum album, simply as Linden had forecasted when he and Billy were establishing the 124-beat paces and setting up all the product. Wanderer eventually chose the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a reasonable world shoud have actually had his name all over ELIMINATOR and gotten the just payment he deserved. Rather he got ostracized.”.
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FROM THE BOOK: SHARP DRESSED GUYS – ZZ TOP by DAVID BLAYNEY: “He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was host for a show ZZ did around that time, and even sang a repetition tune with the band, possibly the only person ever to have that honor.” (side note: this was ZZ Top’s really first program).
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FROM THE BOOK: “SHARP DRESSED GUYS – ZZ TOP” BY DAVID BLAYNEY: “Linden remained at Frank’s (ZZ Top drummer) location as ZZ’s live-in engineer throughout the whole duration of ELIMINATOR rehearsals, and was like among the household … as he (Linden) worked at the controls day after day, viewing the album (ELIMINATOR) take shape, his wish for a huge step forward in his production career undoubtably skyrocketed. ELIMINATOR marked the very first time that ZZ Top had the ability to rehearse a whole album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could compose, rehearse, and record with somebody who understood the guys and the machines. ZZ Top was complimentary to go musically crazy, however also musically crazy like a fox. Linden made that possible too.”.
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FROM THE BOOK “ZZ TOP – BAD AND WORLDWIDE” (WANDERER PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE PUBLICATION): “… SHARP DRESSED MALE which utilized Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the stylish beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who formerly might have cared less about the boogie band of RIO GRANDE MUD.”.
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THE GREATEST ROCK REBRAND OF PERPETUITY (by Jason Miller): “Sound engineer Linden Hudson looked into the paces at which the most popular rock tracks in the charts had been tape-recorded. His data revealed that there was something very special about 120 beats to a minute. Gibbons chose to tape-record practically the entire of ZZ Top’s brand-new album at that pace. The outcome? 1983’s Eliminator. It was called after Gibbons’ Ford Coupé; it had been developed through a distinct combination of creative cooperation and data mining. And it will take the world by storm.”.
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ULTIMATECLASSICROCK DOT COM: “This new melding of styles was encouraged by Hudson, who functioned as a kind of pre-producer for EL LOCO … … Hudson assisted construct ZZ Top drummer Frank Beard’s home studio, and had actually dealt with him for a time. That led to these preliminary sessions, and after that a closer collaboration on 1983’s ELIMINATOR.
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FIREDOGLAKE DOT COM: “I like Billy Gibbons’ guitar tone quite a lot, but I lost all regard for them after reading how severely they fucked over Linden Hudson (the man who was the brains behind their move to consist of synthesizers and co-wrote most of their career-defining Eliminator record).”.
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EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Numerous): “I compose you today about damaged hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years of ages. I bought ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandmother gave me for my birthday. I will spare the # 1 fan epic legend of tee t-shirts, bothering Noreen at the fan club through phone weekly for several years, over 40 shows attended. Posters, non stop discussion about the time I have actually invested idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his child. In baseball I was Don Mattingly’s # 1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals share? They were good example. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your websites. I read Blayney’s book around 1992 or so, I remained in middle school and I recognized with your name for a long period of time. I didn’t recognize you suffered so significantly or that your participation was so considerable. It discomforts me to learn my idol not only cheated but did something so incorrect to another being. I now know this is where tall stories and fun loving bullshit and bad morals and ethics are identified and where I would no longer consider myself to admire Billy. I love to joke and I love credit however I have constantly prided myself on ethics and concepts … I hold them dear. I wanted to say, the bit of UNDER PRESSURE you played sounded brand-new wave and I may like it more than the completed item. Well that’s all. You have actually reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and all the best. James.”.
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VINYLSTYLUS DOT COM: Much of Eliminator was tape-recorded at 124bpm, the pace that thought about best for dance music by the band’s associate Linden Hudson. An ambitious songwriter, former DJ and– at the time– drummer Frank Beard’s house-sitter, Hudson’s participation in the recording of the album would come back to haunt them. Despite helping Gibbons with the pre-production and developing of the material that would end up on both El Loco and Remover, his contribution wasn’t credited when either record was launched.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band rejected it.
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MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):.
However, in spite of the album credits bass-player Dusty Hill and drummer Frank Beard were replaced throughout the recording process by synthesisers and a drum machine configured by engineer Linden Hudson, who supposedly co-wrote much of the music with Gibbons regardless of getting no credit at the time. Gibbons would later on say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the leading edge that assisted improve what ZZ Top were doing”. Hudson did no less than reveal the band how to stay appropriate in an age where 3 people from Texas with long beards (other than famously for Frank Beard) and blues licks was among the last things the modern market was demanding.
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