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If you use this image in any way, shape or form, please offer credit to: joshmacdonald.net

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Freeze Frame taken from video shot by Linden Hudson (amateur professional photographer). This design is Julia. She beat the chances and is a fantastic cancer survivor, and extremely lovely.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED GUYS: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote).

( ZZ Top never ever opted to offer Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career also. The band and management worked ruthlessly to take COMPLETE credit for the extremely effective album which Linden had invested a bargain of time working on. Linden works day-to-day to tell this story. Also, the band did not decide to pay Linden, they worked to keep all the money and they dealt with Linden like dirt. It was abuse. Linden introduced a minimal lawsuit, brought about using his minimal resources which brought minimal outcomes and took years. Nobody ought to treat the co-writer of their most successful album like this. It’s simply deeply fucked up.).
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Hear the original ZZ Top REMOVER writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: youtu.be/ 2QZ8WUTaS18.
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Read Linden’s story of the making of the super-famous ZZ Leading ELIMINATOR album at: www.flickr.com/people/152350852@N02/.
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Follow this Wikipedia link and discover Linden’s name throughout the post & read the album songwriter credits about midway down at: en.wikipedia.org/wiki/Eliminator_%28album%29.
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Linden’s name is all over this Wikipedia page as well: en.wikipedia.org/wiki/El_Loco.
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LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY CONFESSED: “the Eliminator sessions in 1983 were directed mainly by another one of our associates, Linden Hudson, a gifted engineer, during the development of those structures.” (end quote) (Gibbons confesses this after thirty years, however provides Linden no apology or reparations for lack of credit/royalties).
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MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitar player Billy Gibbons broke 30 years of silence about Linden Hudson presenting synthesizers into ZZ Top’s sound.) Gibbons said: “This was an actually interesting turning point. We had befriended someone who would end up being a prominent partner, a guy named Linden Hudson. He was a talented songwriter and had production skills that were leading the pack sometimes. He brought some components to the forefront that helped improve what ZZ Top were doing, beginning in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in manner ins which would scare most bands. However we did the same, and the synthesizers began to appear on record.” (as soon as again, there was no apology from ZZ Top or Billy Gibbons after this discovery).
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TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): “Linden Hudson floated the concept that the ideal dance music had 124 beats per minute; then he and Gibbons developed, wrote, and taped what amounted to a rough draft of an album before the band had actually set foot inside Ardent Studios.”.
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FROM THE BOOK: SHARP DRESSED GUYS – ZZ TOP (By David Blayney): “Probably the most dramatic development in ZZ Top recording techniques happened as Eliminator was built. What had actually gone on prior to evolutionary; this modification was innovative. ZZ Top got what amounted to a brand-new bandsman (Linden) for the album, unidentified to the world at big and initially even to Dusty and Frank.”.
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CNET DOT COM: (concern positioned to ZZ Top): Sound engineer Linden Hudson was referred to as a high-tech music teacher on your extremely effective “Eliminator” album. How much did the band explore electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: “Eliminator” had an incredible effect on us and individuals who listen to us,” states ZZ Top’s bass gamer. Typical band tradition points to production engineer Linden Hudson recommending that 120 beats per minute was the best rock pace, or “individuals’s pace” as it happened understood.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): “… the tune LEGS Linden Hudson introduced the pumping synthesizer result.”.
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( Search Linden Hudson in the various ZZ Top Wikipedia pages which belong to the REMOVER album and you will find bits about Linden. Also the primary ZZ Top Wikipedia page points out Linden. He’s mentioned in at least 7 ZZ Top associated Wikipedia pages.).
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FROM THE BOOK: SHARP DRESSED GUYS – ZZ TOP By David Blayney: “Linden discovered himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest partner on Eliminator. In truth, he wound up spending more time on the album than any person other than Billy. While the two of them invested day after day in the studio, they were mostly alone with the devices and the ideas.”.
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FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, launched 2014): “Hudson supposedly had a considerable role to play throughout the planning stages of the release (ELIMINATOR).”.
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FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (WANDERER PRESS, WRITTEN BY DEBORAH FROST): “Linden was always doing computer system research studies. It was something that fascinated him, like studio innovation. He thought he might comprehend the elements of pop music much better if he fed particular information into his computer system. It might help him comprehend what hits (song releases) of any given period share. He initially learnt about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy instantly started to compose some tunes with 120 beats per minute. Linden assisted with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone needed to assist Billy out. Dusty and Frank didn’t even like to practice much. Their studio lack wasn’t actually a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum device.” (end quote).
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FROM THE BOOK: “SHARP DRESSED GUYS – ZZ TOP” BY DAVID BLAYNEY: “After his quantitative revelations, Linden informally but quickly became ZZ Top’s practice session hall theoretician, manufacturer, and engineer.” (end quote).
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FROM THE BOOK: “ZZ TOP – BAD AND WORLDWIDE” (ROLLING STONE PRESS, BY DEBORAH FROST): “With the release of their ninth album, ELIMINATOR, in 1983, these hairy, not likely rock heroes had ended up being a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of lots of connected with the band for many years, were never ever acknowledged.”.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY): “The integral position Linden inhabited in the process of structure El iminator was shown eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the entire tune all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and assisted write the lyrics; Billy did the guitars and vocals.”.
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FROM THE BOOK: “TRES HOMBRES – THE STORY OF ZZ TOP” BY DAVID SINCLAIR (Writer for the Times Of London): “Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the brand-new recording innovation and specifically to the charms of the straight drumming pattern, as used on a configured drum device. On REMOVER ZZ Top revealed a basic new musical combination that broke open a huge worldwide market.
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FROM THE BOOK: “SHARP GOWN MEN – ZZ TOP” BY DAVID BLAYNEY: “REMOVER went on to end up being a multi-platinum album, simply as Linden had forecasted when he and Billy were establishing the 124-beat paces and setting up all the product. Wanderer eventually chose the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a reasonable world shoud have actually had his name all over ELIMINATOR and gotten the just payment he deserved. Rather he got ostracized.”.
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FROM THE BOOK: SHARP DRESSED GUYS – ZZ TOP by DAVID BLAYNEY: “He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was host for a show ZZ did around that time, and even sang a repetition tune with the band, possibly the only person ever to have that honor.” (side note: this was ZZ Top’s really first program).
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FROM THE BOOK: “SHARP DRESSED GUYS – ZZ TOP” BY DAVID BLAYNEY: “Linden remained at Frank’s (ZZ Top drummer) location as ZZ’s live-in engineer throughout the whole duration of ELIMINATOR rehearsals, and was like among the household … as he (Linden) worked at the controls day after day, viewing the album (ELIMINATOR) take shape, his wish for a huge step forward in his production career undoubtably skyrocketed. ELIMINATOR marked the very first time that ZZ Top had the ability to rehearse a whole album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could compose, rehearse, and record with somebody who understood the guys and the machines. ZZ Top was complimentary to go musically crazy, however also musically crazy like a fox. Linden made that possible too.”.
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FROM THE BOOK “ZZ TOP – BAD AND WORLDWIDE” (WANDERER PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE PUBLICATION): “… SHARP DRESSED MALE which utilized Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the stylish beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who formerly might have cared less about the boogie band of RIO GRANDE MUD.”.
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THE GREATEST ROCK REBRAND OF PERPETUITY (by Jason Miller): “Sound engineer Linden Hudson looked into the paces at which the most popular rock tracks in the charts had been tape-recorded. His data revealed that there was something very special about 120 beats to a minute. Gibbons chose to tape-record practically the entire of ZZ Top’s brand-new album at that pace. The outcome? 1983’s Eliminator. It was called after Gibbons’ Ford Coupé; it had been developed through a distinct combination of creative cooperation and data mining. And it will take the world by storm.”.
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ULTIMATECLASSICROCK DOT COM: “This new melding of styles was encouraged by Hudson, who functioned as a kind of pre-producer for EL LOCO … … Hudson assisted construct ZZ Top drummer Frank Beard’s home studio, and had actually dealt with him for a time. That led to these preliminary sessions, and after that a closer collaboration on 1983’s ELIMINATOR.
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FIREDOGLAKE DOT COM: “I like Billy Gibbons’ guitar tone quite a lot, but I lost all regard for them after reading how severely they fucked over Linden Hudson (the man who was the brains behind their move to consist of synthesizers and co-wrote most of their career-defining Eliminator record).”.
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EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Numerous): “I compose you today about damaged hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years of ages. I bought ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandmother gave me for my birthday. I will spare the # 1 fan epic legend of tee t-shirts, bothering Noreen at the fan club through phone weekly for several years, over 40 shows attended. Posters, non stop discussion about the time I have actually invested idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his child. In baseball I was Don Mattingly’s # 1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals share? They were good example. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your websites. I read Blayney’s book around 1992 or so, I remained in middle school and I recognized with your name for a long period of time. I didn’t recognize you suffered so significantly or that your participation was so considerable. It discomforts me to learn my idol not only cheated but did something so incorrect to another being. I now know this is where tall stories and fun loving bullshit and bad morals and ethics are identified and where I would no longer consider myself to admire Billy. I love to joke and I love credit however I have constantly prided myself on ethics and concepts … I hold them dear. I wanted to say, the bit of UNDER PRESSURE you played sounded brand-new wave and I may like it more than the completed item. Well that’s all. You have actually reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and all the best. James.”.
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VINYLSTYLUS DOT COM: Much of Eliminator was tape-recorded at 124bpm, the pace that thought about best for dance music by the band’s associate Linden Hudson. An ambitious songwriter, former DJ and– at the time– drummer Frank Beard’s house-sitter, Hudson’s participation in the recording of the album would come back to haunt them. Despite helping Gibbons with the pre-production and developing of the material that would end up on both El Loco and Remover, his contribution wasn’t credited when either record was launched.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band rejected it.
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MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):.
However, in spite of the album credits bass-player Dusty Hill and drummer Frank Beard were replaced throughout the recording process by synthesisers and a drum machine configured by engineer Linden Hudson, who supposedly co-wrote much of the music with Gibbons regardless of getting no credit at the time. Gibbons would later on say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the leading edge that assisted improve what ZZ Top were doing”. Hudson did no less than reveal the band how to stay appropriate in an age where 3 people from Texas with long beards (other than famously for Frank Beard) and blues licks was among the last things the modern market was demanding.

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043.

Friday, December 8th, 2017.
Fortune Global Forum 2017.
Guangzhou, China.

8:30 AM – 9:30 AM.

CONCURRENT SESSIONS.
Beyond Borders: The Next Frontier in Global Ecommerce.

The fast growth of ecommerce has actually transformed the retail experience, moving consumers far from standard brick-and-mortar stores to a global digital marketplace offering higher access to brand-new products and much better rates. Cross-border trading is also being sustained by a fast rise in retail sales driven by social networks. By 2020, China will end up being the world’s largest market for selling products online, and global ecommerce sales are anticipated to double to some United States $4 trillion. How can companies guarantee consumer security as more and more clients purchase foreign products online? How are retail brand names and SME’s utilizing ecommerce technologies and best practices to grow their worldwide presence and increase earnings? What obstacles lie ahead as ecommerce takes hold across Asia and other emerging markets?
Marc Lautenbach, President and CEO, Pitney Bowes.
Vincent Qiu, President, Baozun.
Karen Reddington, President, Asia Pacific Division, FedEx Express.
Yang Haoyong, Chief Executive Officer, Cars Group; Creator, Guazi Utilized Vehicle.
Extra speakers to be revealed.
Moderator: Clay Chandler, Time Inc

. Photograph by Vivek PrakashFortune.

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Freeze Frame taken from video shot by Linden Hudson (amateur photographer). This model is Julia. She beat the odds and is an incredible cancer survivor, and extremely lovely.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED GUYS: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top REMOVER album.” (end quote).

( ZZ Top never chose to offer Linden credit, which would have been THE decent thing to do. It would have assisted Linden’s career also. The band and management worked ruthlessly to take FULL credit for the hugely effective album which Linden had actually spent a bargain of time dealing with. Linden works everyday to inform this story. Also, the band did not decide to pay Linden, they worked to keep all the cash and they treated Linden like dirt. It was abuse. Linden released a minimal claim, brought about using his restricted resources which brought limited outcomes and took years. Nobody should deal with the co-writer of their most successful album like this. It’s just deeply fucked up.).
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Hear the initial ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: youtu.be/ 2QZ8WUTaS18.
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Check out Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/.
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Follow this Wikipedia link and find Linden’s name throughout the article & check out the album songwriter credits about halfway down at: en.wikipedia.org/wiki/Eliminator_%28album%29.
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Linden’s name is all over this Wikipedia page too: en.wikipedia.org/wiki/El_Loco.
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LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Remover sessions in 1983 were assisted largely by another among our partners, Linden Hudson, a talented engineer, during the advancement of those structures.” (end quote) (Gibbons confesses this after thirty years, but provides Linden no apology or reparations for lack of credit/royalties).
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MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitar player Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons stated: “This was a truly intriguing turning point. We had befriended someone who would end up being a prominent associate, a man called Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some components to the forefront that assisted reshape what ZZ Top were doing, beginning in the studio and ultimately to the live stage. Linden had no worry and aspired to experiment in ways that would frighten most bands. However we did the same, and the synthesizers began to appear on record.” (when again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++.
TEXAS MONTHLY PUBLICATION (Dec 1996, By Joe Nick Patoski): “Linden Hudson drifted the idea that the ideal dance music had 124 beats per minute; then he and Gibbons developed, wrote, and tape-recorded what totaled up to a rough draft of an album prior to the band had set foot inside Ardent Studios.”.
+++.
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney): “Most likely the most remarkable advancement in ZZ Top recording approaches came about as Eliminator was built. What had actually gone on before evolutionary; this change was innovative. ZZ Top got what amounted to a brand-new bandsman (Linden) for the album, unknown to the world at big and at first even to Dusty and Frank.”.
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CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was referred to as a modern music teacher on your extremely effective “Eliminator” album. Just how much did the band explore electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: “Eliminator” had an incredible impact on us and individuals who listen to us,” states ZZ Top’s bass gamer. Typical band tradition indicate production engineer Linden Hudson suggesting that 120 beats per minute was the best rock tempo, or “the people’s tempo” as it became understood.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): “… the song LEGS Linden Hudson presented the pumping synthesizer result.”.
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( Search Linden Hudson in the different ZZ Top Wikipedia pages which relate to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page points out Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.).
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FROM THE BOOK: SHARP DRESSED GUYS – ZZ TOP By David Blayney: “Linden discovered himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest partner on Remover. In truth, he ended up investing more time on the album than any person other than Billy. While the 2 of them invested day after day in the studio, they were primarily alone with the devices and the concepts.”.
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FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): “Hudson reportedly had a considerable role to play throughout the preparation phases of the release (REMOVER).”.
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FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (WANDERER PRESS, WRITTEN BY DEBORAH FROST): “Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he may understand the elements of pop music much better if he fed particular data into his computer system. It might assist him comprehend what hits (tune releases) of any given period share. He initially learnt about speed; all the tunes he studied deviated no more than one beat from 120 beats per minute. Billy immediately began to compose some tunes with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone needed to help Billy out. Dirty and Frank didn’t even like to practice much. Their studio absence wasn’t truly an issue though. The bass and drum parts were quickly had fun with a synthesizer or Linn drum maker.” (end quote).
+++.
FROM THE BOOK: “SHARP DRESSED MEN – ZZ TOP” BY DAVID BLAYNEY: “After his quantitative revelations, Linden informally but immediately ended up being ZZ Top’s rehearsal hall theoretician, manufacturer, and engineer.” (end quote).
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FROM THE BOOK: “ZZ TOP – BAD AND WORLDWIDE” (WANDERER PRESS, BY DEBORAH FROST): “With the release of their ninth album, REMOVER, in 1983, these hairy, not likely rock heroes had actually ended up being a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many connected with the band for many years, were never ever acknowledged.”.
+++.
FROM THE BOOK: SHARP DRESSED GUYS – ZZ TOP (By DAVID BLAYNEY): “The essential position Linden inhabited in the procedure of structure El iminator was shown eloquently in the case of tune Under Pressure. Billy and Linden, the studio wizards, did the whole tune all in one afternoon without either the bass player or drummer even knowing it had actually been composed and recorded on a demo tape. Linden synthesized the bass and drums and assisted write the lyrics; Billy did the guitars and vocals.”.
+++.
FROM THE BOOK: “TRES HOMBRES – THE STORY OF ZZ TOP” BY DAVID SINCLAIR (Author for the Times Of London): “Linden Hudson, the engineer/producer who lived at Beard’s home (ZZ’s drummer) had actually drawn their attention to the possibilities of the brand-new recording innovation and particularly to the beauties of the straight drumming pattern, as used on a configured drum device. On ELIMINATOR ZZ Top unveiled a basic brand-new musical mix that broke open a huge around the world market.
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FROM THE BOOK: “SHARP DRESS MALE – ZZ TOP” BY DAVID BLAYNEY: “REMOVER went on to become a multi-platinum album, simply as Linden had forecasted when he and Billy were establishing the 124-beat paces and setting up all the material. Rolling Stone eventually selected the album as number 39 out of the leading 100 of the 80’s. Linden Hudson in a reasonable world shoud have had his name all over REMOVER and gotten the just settlement he deserved. Rather he got ostracized.”.
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FROM THE BOOK: SHARP DRESSED GUYS – ZZ TOP by DAVID BLAYNEY: “He (Linden) returned with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was host for a program ZZ did around that time, and even sang a repetition tune with the band, perhaps the only individual ever to have that honor.” (side note: this was ZZ Top’s extremely first show).
+++.
FROM THE BOOK: “SHARP DRESSED GUYS – ZZ TOP” BY DAVID BLAYNEY: “Linden stayed at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the entire duration of ELIMINATOR rehearsals, and resembled one of the household … as he (Linden) worked at the controls day after day, seeing the album (ELIMINATOR) take shape, his wish for a huge advance in his production profession undoubtably soared. REMOVER marked the first time that ZZ Top had the ability to practice an entire album with the recording studio gadgetry that Billy so liked. With Linden Hudson around all the time, it also was the very first time the band could compose, practice, and record with someone who knew the guys and the makers. ZZ Top was free to go musically crazy, however also musically crazy like a fox. Linden made that possible too.”.
+++.
FROM THE BOOK “ZZ TOP – BAD AND WORLDWIDE” (ROLLING STONE PRESS, BY DEBORAH FROST, AUTHOR FOR ROLLING STONE PUBLICATION): “… SHARP DRESSED MAN which utilized Hudson’s 120 beat-per-minute theory. The feel, the interest, the snappy beat and crisp clean sound moved REMOVER into the ears and hearts of 5 million people who previously might have cared less about the boogie band of RIO GRANDE MUD.”.
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THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): “Sound engineer Linden Hudson researched the paces at which the most popular rock tracks in the charts had been taped. His information showed that there was something really unique about 120 beats to a minute. Gibbons chose to tape-record basically the entire of ZZ Top’s new album at that pace. The outcome? 1983’s Remover. It was called after Gibbons’ Ford Coupé; it had actually been created through a distinct combination of imaginative partnership and information mining. And it was about to take the world by storm.”.
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ULTIMATECLASSICROCK DOT COM: “This brand-new melding of designs was encouraged by Hudson, who served as a kind of pre-producer for EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s house studio, and had lived with him for a time. That caused these initial sessions, and after that a closer cooperation on 1983’s ELIMINATOR.
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FIREDOGLAKE DOT COM: “I like Billy Gibbons’ guitar tone quite a lot, but I lost all regard for them after reading how badly they fucked over Linden Hudson (the person who was the brains behind their relocate to consist of synthesizers and co-wrote most of their career-defining Eliminator record).”.
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EMAIL FROM A ZZ TOP FAN TO LINDEN (Among Numerous): “I compose you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan because I was 6 years old. I bought ELIMINATOR vinyl from Caldors in Connecticut with the $20 my granny gave me for my birthday. I will spare the # 1 fan impressive saga of tee t-shirts, bothering Noreen at the fan club via phone weekly for many years, over 40 programs went to. Posters, non stop discussion about the time I have actually invested admiring this band, but more Billy G, as he has actually seemed to break without the Lone Wolf shackles and it ended up being more clear this was his infant. In baseball I was Don Mattingly’s # 1 fan, Hershel Walker in football, Billy Gibbons in music. What do these people have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Up until I read your websites. I read Blayney’s book around 1992 approximately, I was in intermediate school and I was familiar with your name for a long time. I didn’t understand you suffered so greatly or that your participation was so considerable. It discomforts me to discover my idol not only cheated but did something so wrong to another being. I now understand this is where exaggerations and enjoyable caring bullshit and bad morals and ethics are distinguished and where I would no longer consider myself to appreciate Billy. I like to joke and I like credit but I have actually constantly prided myself on principles and concepts … I hold them dear. I wanted to state, the bit of UNDER PRESSURE you played sounded very new wave and I might like it more than the finished item. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others understand. Disappointment. Cheers and all the best. James.”.
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VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the pace that thought about ideal for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and– at the time– drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. In spite of helping Gibbons with the pre-production and developing of the product that would wind up on both El Loco and Eliminator, his contribution wasn’t credited when either record was launched.
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INFOMORY DOT COM: ‘Remover’ is a studio album of the American rock band ZZ Top. It was launched on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
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MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):.
However, in spite of the album credits bass-player Dusty Hill and drummer Frank Beard were changed throughout the recording process by synthesisers and a drum machine set by engineer Linden Hudson, who supposedly co-wrote much of the music with Gibbons in spite of receiving no credit at the time. Gibbons would later state of Hudson that “he was a talented songwriter and had production abilities that were leading the pack at times. He brought some aspects to the leading edge that assisted improve what ZZ Top were doing”. Hudson did no less than reveal the band how to remain appropriate in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was requiring.

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